Songs of Eretz Poetry Review is pleased to present "The Works" by John Reinhart. Mr. Reinhart is a former state fiddle
champion, state rhythm guitar champion, and one time northeast regional yo-yo
champion. He is a native of Denver. His poetry has recently been published in: 94 Creations, Apeiron
Review, Black Heart Magazine, Dirty Chai Magazine, FishFood & LavaJuice,
Interfictions, Liquid Imagination, Poetry Nook Magazine, Songs of Eretz Poetry E-zine,
Star*Line, and The Vocabula Review, and is forthcoming in Silver Blade, Grievous
Angel, ZO Magazine, and Scifaikuest.
John Reinhart
Last night I wrote a symphony –
“Corrugated Recycles” I call
it –
on the back of a pizza box.
It starts with strings playing
pizzicato,
lumbers deep into horns
covered in grease,
then cymbals, like giant
pepperoni, crash.
The second movement creeps up
the side
onto the top: “Cosmic Pizza”
is all percussion,
rise and expansion, sustain,
rest.
Movement three goes inward,
the most obscure and difficult
part,
cluttered with crust and
crumbs, real cheese,
stains too dark, too somber
for any but celli,
summoning aged wood
like twelve year barreled
bourbon.
Finally, up the inside lid,
closure,
a simple melody to light the
tunnel –
done in thirty minutes or it’s
free.
Poet's Notes: Perhaps it was the fact that
one of my students was in the process of writing a symphony; perhaps it was my
penchant for digging through garbage and reusing anything of perceived value; or perhaps it was some late night inspiration asleep on a momentarily
satisfying $5 pizza binge. The impetus for this poem aside, the basic framework
floated in my head for a couple of weeks. I have always appreciated what I read
in Word of Mouth about Lucille Clifton, that when her first book of
poems was published her children were 7, 5, 4, 3, 2, and 1, and she learned how
to compose a poem and keep it in her head until she could write it down. My
situation is not quite so populated, but twenty chickens, two goats, a dog, a cat,
a duck, and three children, not to mention an active and plentiful garden, plus
a full-time job regularly challenge my composition time. So, I pondered.
Eventually, I sat down, and those weeks of work spilled onto the paper.
I love villanelles but I find
that tercets do not come easily to me. There is an ease about tercets, a
clarity, a well worn phraseology embedded in the form. The symphony here flowed
from three line stanzas to three whole movements, building toward that thirty minute deadline, empowered by trios, like legions of musketeers or Pythagoreans.
Editor's Note: I enjoy the humor in this pizza piece (pun intended) as well as its clever elevation of the quotidian. Good poetry such as this evokes an emotional response--this one made me hungry as well. "The Works" was first published in 94 Creations #6.
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