Songs of Eretz Poetry Review is pleased to present “Some Time After the Apocalypse: Family
Loyalty, Part I” by Terrie Leigh Relf. Ms. Relf is a Lifetime Member of the
Science Fiction Poetry Association and has been nominated for both the Rhysling
and Dwarf Stars Awards several times. Her most recent poetry collections in
include Letting Out the Demons and Other Poems (Elektrik Milk Bath
Press, 2013) and An Untoward Bliss of Moons (Alban Lake Publishing,
2014). She is working on her next two collections, Further Adventures with
the Muse and Postcards from Space. Please visit her website at: tlrelf.wordpress.com.
Some Time After the Apocalypse: Family
Loyalty, Part I
Terrie Leigh Relf
Ripe pears and
fresh greens,
cherries tart,
sans pits,
an avocado with
salsa fresca,
and yes, she
consumes them all,
our own hungers
gnawing
through our very
bones.
“More!” she cries,
as if our gardens
were fertile with
organic fruit,
with vegetables
sure to ripen
destined for her gluttonous
maw.
She is our older
sister
(as we are so oft
reminded),
and so must do our
part,
as she has always
claimed
the inalienable, “Me
first!”
Until it is our
time (if ever),
we sprinkle salt,
store fragrant herbs
prepare the spit
and sharpen knives.
For our patience a
just reward:
We’ll soon make a
feast of her.
Poet’s Notes:
I’ve always been intrigued by the tropes and potential scenarios of post-apocalyptic
fiction, film, and poetry. This poem was inspired, in part, by Shel Silverstein’s
“Ladies First” (which is one of my favorite poems of all time), watching a few
post-apocalyptic films (the titles of which elude me at the moment), and
wondering how a high-maintenance character (with a proverbial bizarre sense of
entitlement) might fare in such a landscape. I also found myself pondering
family loyalty as well as the individual and collective sacrifices that are, or
could be made. The poem emerged in this free verse style, and I did play around
with several forms and rhyming stanzas before I returned to free verse. I
wanted a dollop of humor along with a slightly lyrical tone to contrast with
the horrific aspect. I do so love a good cautionary poem, and Silverstein is
one of the masters!
Editor’s Note: The turn at the end is
simply delicious, isn’t it?
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