Songs of Eretz Poetry
Review is
pleased to present “God: The
divine apostrophe” by James Frederick William Rowe. Mr. Rowe is an author and poet out
of Brooklyn, New York, with works appearing in: Heroic Fantasy Quarterly, Big
Pulp, Tales of the Talisman, Bete Noire, and Andromeda
Spaceways Inflight Magazine, as
well as frequent appearances in the Songs of Eretz venues. He
is pursuing a Ph.D. in philosophy, is an adjunct professor in the CUNY
system, and works in a variety of freelance positions. Contact him at http://jamesfwrowe.wordpress.com.
Contracting space
and time
Drawing finite to
infinite
James Frederick
William Rowe
Poet’s Notes: This poem has its roots on the subway
and in conversation with Gaby Kappes.
I was riding along the elevated tracks of the Culver Viaduct on the F-Line
in Brooklyn while texting her my displeasure of how it is viewed as
anachronistic to employ apostrophes to indicate a dropped syllable in words
ending with –ed. I had been
reading my collection of Keats, and it was his habit to mark all words ending in
–ed that he intended to be read without –ed being its own syllable with a 'd
instead of -ed. As I have written
poems where the pronunciation of words ending in –ed in one way v. the other is
necessary for the meter, I dubbed the apostrophe divine while I complained
about how it would be fruitless to compose poems with such an archaic usage of
the apostrophe. The end result was that—though I don't use a single apostrophe
in the poem—my complaint inspired me to write a poem uniting the concept of the
apostrophe to God.
The original
version of this poem was much longer; however, upon suggestion of Dr. Gordon, I
decided to pare it down to the first three lines, and make it what I dubbed an
"inverted heterodox haiku" of 8-6-8. The theme of the poem is the distilled essence of the longer
version, where God is viewed as that which can contract the otherwise
unbridgeable gap of the finite and infinite, just as the apostrophe contracts
words. Being both transcendent and imminent, God has it within Him
to do what cannot otherwise be done in this regard. It also seems somehow fitting that a poet and philosopher
would conceive of God as a punctuation mark.
Editor’s Note: In my role as an editor, I have read
many good poems that contain great poems within them. Such was the
case, in my opinion, with Mr. Rowe’s original poem. The twelve words
printed here, comprising the opening three lines of the original, contain a
distilled, crystallized message with a profound impact and a powerful,
electrifying voice.
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