Songs of Eretz Poetry Review is pleased to present “Mary Shelley's Notebook” by Marge Simon. Ms. Simon edits a column for the Horror Writers Association
(HWA) Newsletter, "Blood & Spades: Poets of the Dark Side,"
and serves as Chair of the board of trustees. She is a former
president of the Science Fiction Poetry Association (SFPA) and a former editor
of Star*Line, the journal of the SFPA.
She was awarded the Bram
Stoker for Best Poetry Collection twice--once in 2007, and again in 2012.
Both of her 2010 poetry collections, Unearthly Delights and The Mad Hattery were Stoker finalists
in 2011. She won the Strange Horizons Readers Choice Award in 2010, and
the Dwarf Stars Award in 2012. She won the Rhysling Award for Best Long
Poem in 1995.
In addition to the frequent
appearances of her poetry in the Songs of
Eretz venues, Simon's poetry, fiction, and illustrations have appeared in Strange
Horizons, Niteblade, Daily Science Fiction, Pedestal, Dreams
& Nightmares, and Jamais Vu. She has
published two prose collections: Christina's World (Sam's Dot
Publications, 2008), and Like Birds in the Rain (Sam's Dot,
2007). Elektrik Milk Bath Press published a new collection of her poetry
with Sandy DeLuca, Dangerous Dreams, in 2013. Dark
Renaissance Press published a speculative dark poetry collection, Sweet Poison in 2014 coauthored by her
and Mary Turzillo.
Marge Simon is an active
member of the HWA, Science Fiction & Fantasy Writers of America (SFWA),
and SFPA. Find more information about this remarkable lady at www.margesimon.com.
Mary Shelley's Notebook
Marge Simon
I want to know you, Mary.
I pretend we are the same,
playing hostess to these men.
How does it feel,
a tidbit of light banter,
polite and politic?
For a basket of sauterne and
camembert
a mere merci bien,
madam,
exchange of winks between the
pair,
to be afterwards ignored
on a Grecian beach.
The breeze in your hair,
watching the waves break
one by one, Mary,
anonymous as relationships.
George rolls over,
eyes on Cape Sounion,
utters lines destined for
posterity
something about the ocean,
how passages of fleets
leave no impression.
Do you recall how many times
he's propositioned you?
Your husband didn't hear
George's whisper in your ear,
Love will find a way
through paths where
wolves fear to prey
But that was years ago.
Percy laughs, claps his pale
hands,
never straying far from his
umbrella.
For a man so fair, the sun is
not his friend.
Yet his friends are yours,
he's said.
He wants to share.
And what of you, Mary?
Quite a feather in your cap.
Not in your father's eyes,
he's disowned you,
mistress of a married man
of lively wit and former
fortune.
Did you sit apart in the other
direction,
jotting ideas on the pad you
keep
in the secret pocket of your
frock,
as I have done so many seaside
afternoons
watching for distant
lightning?
But that Mary
isn't you,
an educated woman, treated
with esteem.
It's me, this Mary,
scribbling in my little book.
No brilliant poets on this beach.
My husband takes his comfort
with the men.
I finger the letter, the crisp
check
with it crackles in my pocket.
The acceptance came this
morning
while he was away but I've not
told him yet.
It might surprise him, Mary.
But will he treat me any
differently?
If you were here, Mary, we'd
celebrate.
But enough of fantasies, my
friend.
I unpack the basket, spread
the cloth,
share my conversation with the
gulls.
Poet’s Notes: This is one of my own personal favorite
poems, which I had yet to find a market for until Songs of Eretz.
I'd always been fascinated by Mary Shelley, writing her book about a monster
(who is actually the poor victim of a true monster, Dr. Frankenstein).
All right, here is Mrs. Shelley, midst a group of brilliant poets of the day. I
doubt that she had servants galore and time to spare, but she made the time to
write her hugely successful novel while minding their children, managing their
home. Surely she also attended to the needs of her husband, known as
one of the finest lyric poets of his time. As well, she played hostess to his
pals, George Gordon, Lord Bryon, famed for his lengthy narrative poems, and
John Keats of the sensual imagery and odes. Leigh Hunt was also a friend and
fellow poet.
Shelley didn't achieve fame
until after his untimely death. Still, the boys must have gotten on well
together as men of letters did back in the day. What of Mary while they were
off for a smoke and brandy in the sitting room or a picnic on the beach?
What was she doing?
I imagined she was not often
part of their conversations. I imagined her as quiet, in her place, being a
woman of those times. And so you have this poem through the eyes and in the
words of another Mary, over a century later.
Editor’s Note: I love the way Simon creates such a magical mood
here, melding past and present seamlessly as the story in the poem unfolds. An
easy read on a complex subject, “Mary Shelley’s Notebook” should certainly
resonate with authors and poets, but it still has the universal appeal
necessary to be enjoyed by a much wider audience.
“Mary Shelley's Notebook” first appeared in the January 2014 issue of Songs of Eretz Poetry E-zine. The beautiful art accompanying the poem
here is one of Ms. Simon’s original illustrations.
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