Songs of Eretz Poetry Review is
pleased to present “Abandoned
Garden” by Ellaraine Lockie, Poet of the Week. A brief bio of Lockie may be found
here: http://eretzsongs.blogspot.com/2015/11/poet-of-week-ellaraine-lockie.html.
Abandoned Garden
Ellaraine Lockie
Lying on the
long side of time
a partially
buried Meissen vase
Crackled like
paper crunched in the fist of an accident
Its mouth
growing sweet peas and pansies
A pioneer
woman's attempt to civilize an untamed land
As though she
were out gathering a bouquet
for a quilting
bee in her homestead house
when some tragedy
befell her
The house now as
much a ghost as she
Yet she lingers
in these immigrant flowers
that survive
encroachment from native clover
blue flax, sage
and morning glory
Butterflies that
pollinate from one to the other
arbitrating the
struggle
Like the
diplomacy of a woman
caught between a
hardcore German husband
and the America
around them
Between their
children and the razor strop
that hung on a toolshed
door
She lives in the
flames of poppies she planted
that have burned
through a century
Today the
prairie breeze breathes the same scent
as her heirloom
handkerchiefs
The sweet violet
toilet water sacheted in drawers
and splashed on
after a well water wash
She lives in the
pressed purple yellow
pansies that
look out from
a grandmother's
diary and recipe books
Butterflies, as
they take flight
in the draft of
turning pages
Poet’s Notes: “Abandoned Garden” is a composite poem in that it is the
result of multiple experiences and observations. The initial idea came
from a San Francisco museum drawing on crinkled handmade paper of a partially
cracked and broken vase lying on its side out of which pansies spilled.
The flowers were drawn progressively into butterflies that eventually flew away
from the vase. I took a photograph of it and carried the image around
knowing I would write about it. I put pen to paper every few days but
couldn’t get beyond the first four lines of the poem.
Months later I
read a newspaper article by Robert Lucke, Editor of my Montana hometown
newspaper, the Mountaineer, about his grandmother’s prairie garden, and
I knew where I’d go with the poem--to my own grandmothers’ gardens. Both
were homesteaders, and some of my aunts and uncles had descendent plants from
their mothers’ gardens. With these thoughts and images, I wrote the
middle section of the poem. The last stanza came from the pressed flowers
that are still in the books I have which belonged to my grandmothers.
Editor’s Note: I particularly enjoy the way Lockie metaphorically ties the
lady to the land, as well as her use of words that evoke the senses. “Abandoned Garden” was first published in The Bookwoman.
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