Songs of Eretz Poetry Review is pleased to present “The Rocket Ship in the Attic” by John C. Mannone, a Songs of Eretz Frequent Contributor and this week’s Poet of the Week. The poet’s biography may be found in the “About Our Editor & Frequent Contributors” section.
The Rocket Ship in the Attic
The Rocket Ship in the Attic
John C.
Mannone
and the lights in the room distort.
I feel my body fading in the shadows (quick shadows),
I shudder as
I open the door.
The lights in
the attic distorting,
there’s a blur in my eyes (then vertigo)
as I shudder when I open the door string
to a closet
where a toy chest glows.
In a blur, my
eyes fall in vertigo,
I hold on to my life, this dust; dust spinning
all around me—in the closet, the toy chest aglow—
and a rocket
caught in the swirl. It is floating
and I hold
on, my life feels like dust, this dust spinning
out of the chest. I see in a window of the rocket
caught in that terrible swirl, floating
inside is its
captain—its eyes painted and bulging from sockets.
Out of the
chest I saw it, in a window of that rocket,
a clown glaring with laughter. Am I insane? So it seems
it is the captain, eyes painted bulging from its sockets.
Perhaps it’s
simply a nightmare or dream
about a
glaring clown insane with laughter. How it seems so
impossible, a shadow in the other porthole staring back at me,
perhaps this is simply a nightmare in a dream,
I look closer
and see a little boy inside… It is me!
Impossible!
This shadow in the other porthole staring back at me.
I count down each step away from the attic. And I know,
it looks closer and sees (that little boy inside… it is me).
I feel my
body fading into shadows… very quick into shadows
of me.
Poet’s Notes: It was close to Christmastime when I considered this poem,
so toys were on my mind, but not your everyday toys. As I began to write “The
Rocket Ship in the Attic,” I knew I wanted it to have a “Twilight Zone”
feel. I elected to write it in a traditional form—a slightly subverted Pantoum
with an abab slant rhyme scheme.
Whenever I
write a form poem, it has to be fleshed-out beforehand by a process of
brainstorming. In other words, I have to know where the poem was going; i.e.,
the story line in this case. The intermediate lines did evolve a bit more
spontaneously as with free verse, but the "editor-brain" kicked in
earlier in the process.
The
predominant anapest rhythm sustains a level of tension while moving the poem
along, especially with the stepped lines. The requisite repeated lines are
altered by syntax to give them a different nuance of meaning.
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