As I began
reading this, I thought it would be a fine poetry collection, no more than
that. I liked the second poem -- "Cemetery Tour, Montreal, Early November
2001" -- well enough to stick a post-it note by it so that I could re-read
it later, but I didn't love it. I liked the third poem "Death is the Great
Unwinding," but not quite enough for a post-it note. The fourth poem had a
handful of lines that I loved without loving the poem as a whole:
I miss the night sky.
In the
grave,
the stars of the deathlands
are few and faint and strange.
But then I read
on. And I littered the book with post-it notes. Some poems I liked, some poems
had parts I loved, some poems I loved in their entirety. The poems range from
science fiction futures to the far past, and they speak of heroes and gods and
the passing of all things. At times, such as in the brief "Cautionary
Tale" or the longer (and ultimately sobering) "They Sure Eat a Lot in
Epics," there is humor to lighten their collective weight.
Among many fine
poems, I found nine that I loved: "The Copyist," set in 700 A.D.,
which sings of epic heroes and the power of story. "We Have Cast Their
Idols Down," which I found brilliant and bitterly sad. "When We Think
Upon the Kings of Old," which evokes Xerxes, Alexander, and Caesar to talk
about the commonality of death. "Sir Canis De Nobody," which takes
the told and re-told glory of Camelot and renders it newly moving via a dog's
perspective. "After Hours in the Hall of Heroes," which casts a skeptical
yet tender eye on heroic warriors. "Helen Returns to Troy," which
portrays Helen in her old age, and is marvelous in every detail. "Near the
End of the Epic," which pays tribute to the rank and file soldiers from
heroic sagas. "At the Earth's Core," where Burroughs' adventurers
confront Dante's Satan. "I Dreamed That I Sailed in a Ship of
Heroes," perfectly wrought, which journeys from heroes to reality, with
two lines that I particularly love:
"Dad, did you fall in the
struggle?" I asked.
He replied, "No, I struggled in
the fall."
--Mary Soon Lee
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