Li
Mary Soon Lee
Five guards plus Li himself.
Too few.
The windows too large,
the hallway vulnerable.
For one night,
they could have stayed awake,
but they will be here twelve
nights.
Fighting,
one must
first master the elements:
to pierce,
to pivot, to punch.
Later, the
dance:
from the
choice of opening pose
through
the sequence
of
following moves.
So. Two men outdoors.
One man in the hallway.
One man sleeping inside,
blocking the door.
One man sleeping below each
window.
It is both
art and skill, fighting:
the body a
shaped tool, alert,
waiting
for the first note
of the
dance.
Li positions his men,
pulls two blankets from the
bed,
spreads them in an inner
corner.
King Xau, watching him,
raises his eyebrows,
but says nothing.
They have traveled
this road before.
Li spent
twenty years
forming
himself into a weapon,
his body
lethal with knife,
arrow,
staff, rock, naked.
But this
new art,
the art of
protecting another,
he has yet
to master.
Sometimes
the music starts
before the
dancer is ready.
The king bows to each guard
and last to Li,
then lies down in the corner.
Li takes his place
on the floor by the door,
relaxes his muscles, breathes.
It is necessary that he sleep.
He cannot sleep.
A long
road.
Son of a
fisherman,
but the
town soldiers chose him--
he alone
of all the boys his age--
to be
their cook, apprentice,
then,
later, comrade, captain,
promoted
to the city,
the capital,
the palace.
He opens his eyes,
sees the king
staring back at him.
A year ago, this country
was at war with King Xau.
Many here still hate the king.
Breathe. He must sleep.
A long
road,
and he has
been back only once.
The king
told him to return
when his
mother was ill.
Li
refused.
The king
announced
he was
traveling to Qingzi himself.
It is not
easy to fight
both your
king and your heart.
He saw his
mother
before she
died.
Li watches the king
until the younger man
settles into sleep.
Li closes his eyes,
breathes,
and, at length,
sleeps.
Poet's Notes: This is part of The Sign of the Dragon, my epic fantasy in verse. The epic as a
whole is centered on King Xau. Wherever King Xau is, his guards are nearby,
sometimes in the foreground of the story, sometimes watching over him from the
background. In this particular poem, Captain Li worries about how to protect
the king and reflects on how he came to be Xau's guard. I am very fond of
several of Xau's guards, but Li is my favorite. More poems from "The
Sign of the Dragon" may be read at www.thesignofthedragon.com.
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